Uncovering the Complexity of Slavery & Industry in Baltimore
By Khadija Nia Adell
My fellowship with the Mayor’s office has already been an intense educational experience. Getting to put on an exhibition for the Mount Clare, Carroll Park artifacts is an incredible opportunity that has opened my eyes to the complex history of slavery and industry here in Baltimore, as well as the rest of the country. These images are a few shots from my most recent site and research visit conducted at the Maryland Historical Trust Library. The purpose of this visit was to gain access to the extensive archive of archaeological reports that were done on the many periods of excavation (mostly the 1970s and 1980s excavations) at the Mount Clare site.
Some of the most helpful information has been that which has shed light on the grounds of the estate, illuminating the detailed creation of the famed garden, orchard and vineyard on the 18th century terraced landscape.
These details are important to the narrative of the black landscape of Mount Clare because it speaks to the wealth of plant knowledge that the enslaved African (and later generations) gardeners would have held.
This knowledge of trees, grass, weeds, grain, flowers, fruit and herbs not only served the culinary and medicinal needs of the white slaveholders, but they also served as a means in which enslaved people may have been able to exercise a sense of agency over their health and diet.
Combined with the inventory and order records from Charles Carroll the Barrister, the discoveries of archaeological excavations have allowed researchers and historical archaeologists to access a clearer picture of the kinds of food stuffs produced on the plantation as well as many of the other ornamental shrubbery and trees that created the showpiece landscape of this expansive plantation.
The larger story of the African/African American enslaved people, whose labor allowed for the Carroll’s to build immense wealth and political power in Baltimore and greater Maryland, are the central thread that links Baltimore to the greater economy of the country during the 18th and 19th century.
Khadija Nia Adell was born and raised in Miami, Florida, and is a multi-media visual artist, curator and writer. Graduating with a BFA from Maryland Institute College of Art, Ms. Adell is dedicated to the progression of arts and arts administration, particularly concerning their relationships to communities of color. Her work as an artist had been shown in group and solo exhibitions along the east coast and internationally. As a curator and writer, she is interested in using her voice and agency to promote, produce, and provide a platform for young artists of color.
